We interviewed Maha Alkhattab in our publication “Abstracted” surrounding the concept of abstract. Visit the publication here.
How did you first discover that art can be a form of therapy and solace- and what has that journey been for you?
When I first moved to the UK, adjusting as a single mother in a new country without friends or family, I faced intense challenges, stress, and anxiety. It was then that I discovered painting as a form of therapy. Spending hours putting my emotions into colours and shapes on a blank canvas became my refuge. Whenever I felt overwhelmed, I’d go to my small studio at home, where creating art helped me process and release those feelings. Painting became my solace, and it still is. I turn to it whenever I need grounding, pouring my heart into each piece.
Can you describe how you blend abstract and impressionist styles in your practice? What brings you to these two styles?
I’ve always seen painting as a form of visual poetry. Like poetry uses words and imagery to convey emotions, a painting speaks through colours and brushstrokes. Abstract elements in my work express feelings in a way that words often can’t; strokes and colours become the raw language of emotion. But, just as a poem uses specific adjectives to add clarity, I bring in impressionistic details to give my work structure and storytelling. Blending these two styles allows me to create layers in my paintings: the abstract for deep, raw emotion and the impressionist elements to anchor the piece, helping the viewer connect with the essence of what I’m expressing.
Are there any specific women or experiences that inspire female empowerment in your practice?
My work with 4Wings in Liverpool, an organisation supporting women from diverse backgrounds, has profoundly shaped my view on female empowerment. Through this role, I’ve met women from all walks of life, each embodying beauty, strength, and resilience. Their stories of survival and determination in a world that hasn’t always been kind have been deeply inspiring. To me, every woman symbolises not only beauty and resilience but also life itself. These experiences fuel my work, where each female figure I paint becomes a tribute to the strength and life force women bring into the world.
You described painting as a necessity. How does your practice shape or influence other aspects of your daily life?
I like to think through my collaborations with researchers around dementia and brain function that the connection between the brain and creativity is that it is possible to see the world differently and express those challenges through abstract work. I am interested in the otherworldly and that there are other ways to be, exist, and be important to understand. My thought process is to push boundaries in my work to explore the unknown, and the possible and abstract process allows that to happen.
How do you decide on the colour, forms, textures, or shapes in your abstract and impressionistic pieces?
When I begin a piece, I often have no set vision; it starts as a simple act of filling a blank space. The colours come naturally, driven by my emotions at that moment. Sometimes, I start with dark tones and unexpectedly shift to vibrant hues or vice versa. The forms and textures evolve intuitively, capturing my inner state as I paint.
How has your artistic practice/style evolved? Are there any new directions or techniques you’re excited to explore in the future?
My journey in art is ongoing, filled with constant learning and discovery. I’m excited to explore new directions and techniques, perhaps experimenting with different materials and media to evolve my style. I’ve long admired Salvador Dalí’s surrealism; maybe one day, I’ll incorporate surrealistic elements into my abstract work. The possibilities are open, and I look forward to where this creative journey leads me next.