We interviewed Kun Fang in our publication “Abstracted” surrounding the concept of abstract. Visit the publication here.
How did attending Luc Thuymans’ art show in Paris inspire or influence your view of the abstract and artistic practice?
Attending Luc Thuymans’ exhibition in Paris was transformative, not only because of his extraordinary work but also due to the meaningful discussions I had during the event. Luc’s capacity to truly listen, paired with the diverse perspectives of other artists present, reaffirmed my belief that abstraction is a highly personal and ever-evolving language. His approach to blending history, critique, and current realities—especially in his exhibition in China, where he connected the past of the Forbidden City to sharp observations about the present—was particularly inspiring. It influenced me to ground my work in deeply personal and culturally reflective narratives. This impact is evident in my latest series, which explores nostalgia for Shanghai, weaving abstract visuals with memories and storytelling.
How does the idea of “it takes years to paint realistically but a lifetime to paint like a child” influence your exploration of the abstract?
My classical European art education instilled a strong foundation in techniques like drawing and painting nudes, emphasising precision and realism. However, I’ve seen realism as only one dimension of artistic expression. On the other hand, abstraction allows me to delve into existence’s emotional, philosophical, and spiritual depths. I feel disconnected from the raw energy that drives creativity when I overthink or rationalise my work. To paint like a child is to paint without fear or constraint, with spontaneity and instinct. This childlike energy liberates me from the limitations of logic, opening a path to art that is more intuitive and authentic.
What role do intuition and spontaneity play in your abstract practice?
Intuition and spontaneity are the heartbeat of my practice. I believe that art, at its core, should be irrational, sensitive, and alive. It should evoke mystery and leave the viewer speechless. I step away from preconceived notions or rigid plans when I create, allowing my instincts to guide me. This process helps me access emotion and life’s raw, unfiltered essence. If I can harness childlike playfulness while remaining open to unexpected discoveries, my work feels more genuine and resonant.
How does your work challenge or reflect contemporary ideas of abstraction in the art world?
The idea of “contemporary art” often amuses me because people use it to describe a period already passed—art from 1900-2000. My work exists in the present, so I describe it as “actual art.” While much of contemporary abstraction leans on intellectual cleverness or conceptual rationality, my approach differs. I reject overly calculated trends, focusing instead on creation’s irrational, intuitive, and deeply sensitive aspects. By embracing mystery, spontaneity, and raw emotion, I aim to reconnect with what I believe is art’s timeless and universal power.
How do you hope viewers will engage with or interpret your artwork?
I hope my work resonates with viewers emotionally, sparking personal interpretations and stories unique to each individual. I aim to create art that feels alive and authentic, inviting a connection beyond words. Ultimately, I wish for art lovers to join me on my journey, supporting me as I grow and explore new dimensions in my practice.